Lukas Marxt

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  • 2022 | L11-LB_Y-1792 Assembly Kit
  • 2022 | TEST PIT LOG (I’m gonna realize)
  • 2022 | ENCLOSURE III (I’m gonna explode)
  • 2022 | Marine Target
  • 2022 | Loading Pit_revised
  • 2022 | Ein Haiku über die Passsteinstrasse
  • 2021 | Sehr gepflegt und gut gelegen
  • 2020 | Imperial Irrigation
  • 2019 | Ralfs Farben
  • 2019 | Loading Pit
  • 2018 | Victoria
  • 2018 | Imperial Valley (cultivated run-off)
  • 2017 | Shadowland
  • 2017 | Fishing is not done on Tuesdays
  • 2017 | Current Shot 02
  • 2016 | Echoes from the Sky
  • 2016 | Cape Ground
  • 2016 | Circular Inscription
  • 2015 | Wunderschoen und ruhig gelegen
  • 2015 | Diagonale Trailer
  • 2015 | Captive Horizon
  • 2014 | Black Rain White Scars
  • 2014 | Double Dawn
  • 2013 | Two Skies
  • 2013 | High Tide
  • 2013 | Low Tide
  • 2013 | Reign of Silence
  • 2012 | It Seems To Be Loneliness But It Is Not
  • 2012 | Nella Fantasia
  • 2011 | Rising Fall
  • 2010 | Black Beauty
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FROM LIGHTTO COLD

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Artist Lukas Marxt looks for traces of mankind in what seem on the surface to be stretches of unspoiled nature such as deserts and Arctic waters, in landscapes and in urban environments.This first monograph examines a selection of films as well as video installations from a scholarly point of view including approaches from art history as well as philosophy and cultural studies.

Editor Claudia Slanar
Texts Marie-Luise Angerer, Wiliam L. Fox, Claudia Slanar, Shahin Zarinbal
Interview Julian Ross with Lukas Marxt
Language English
Details Paperback, 24 x 16 cm, 144 pages, 39 ills. in color
ISBN 978-3-903269-45-3
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