Lukas Marxt

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  • 2022 | L11-LB_Y-1792 Assembly Kit
  • 2022 | TEST PIT LOG (I’m gonna realize)
  • 2022 | ENCLOSURE III (I’m gonna explode)
  • 2022 | Marine Target
  • 2022 | Loading Pit_revised
  • 2022 | Ein Haiku über die Passsteinstrasse
  • 2021 | Sehr gepflegt und gut gelegen
  • 2020 | Imperial Irrigation
  • 2019 | Ralfs Farben
  • 2019 | Loading Pit
  • 2018 | Victoria
  • 2018 | Imperial Valley (cultivated run-off)
  • 2017 | Shadowland
  • 2017 | Fishing is not done on Tuesdays
  • 2017 | Current Shot 02
  • 2016 | Echoes from the Sky
  • 2016 | Cape Ground
  • 2016 | Circular Inscription
  • 2015 | Wunderschoen und ruhig gelegen
  • 2015 | Diagonale Trailer
  • 2015 | Captive Horizon
  • 2014 | Black Rain White Scars
  • 2014 | Double Dawn
  • 2013 | Two Skies
  • 2013 | High Tide
  • 2013 | Low Tide
  • 2013 | Reign of Silence
  • 2012 | It Seems To Be Loneliness But It Is Not
  • 2012 | Nella Fantasia
  • 2011 | Rising Fall
  • 2010 | Black Beauty
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ãBlack BeautyÒBlack Beauty, Video Installation, without sound
300cm x150cm x 70cm, 2010

Black Beauty examines the relationship between cinematographic and architectonic space. Five surfaces inside a wedge-shaped convergent body serve as the projection area. The image of a cloud ring is projected into the body and onto the five surfaces. Using a slow ‘zoom in’ to the image, black phases are created which alter the structure and form of the internal space. Through distortion of the four merging projection surfaces, this creates the impression of a suction effect.